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This is why the painters’ vision presents us with a picture of grace, harmony and distinction without affecting the wholesome characters of the sitters. This is what rings true in his work, in which his refined and sophisticated way of seeing, feeling and transforming onto canvas guides his art purely and uninterruptedly, with the least interference of common considerations. The color schemes for his Tres Marias must have come from the influence of Velasquez and Goya, and in these he also shares kinship with Juan Luna.
He was, for one, a consummate portraitist, as shown by his highly refined pencil portrait of his German wife, and the couple of self-portraits done in his lively spontaneous style. Another nude may take a diagonal pose in a somewhat darkened room with suggestions of vegetation in the window but with only a colorful weave accessory to her long, flowing limbs. His gowned women were executed with a joyful fluidness. (28 x 34 in.) Federico Aguilar Alcuaz (June 6, 1932 – February 2, 2011). Often his still life is arrayed on a beach with sun-drenched yellow-ochres against a soft tourmaline sky, gently flecked with white. The exhibit pays homage to Alcuaz by opening on June 6, marking the 75th birthday of the maestro, and will run until June 20.While Alcuaz is widely known to be an abstract artist of the highest order, this show at Galerie Joaquin reveals little-known aspects of his art in works done in various media and genres. Alcuaz’ famous “Tres Marias” series were started in the late 1970s. He also took a great pleasure in the materials he used and knew how to bring out their best properties, discovering the secrets of color and tone. And not the least, he designed stunning abstract tapestries in the workshops of Brno, Czechoslovakia, in the 1980s.What is probably the secret of Alcuaz’s art is that he was a true hedonist in his approach to life, nature and the world at large. Sometimes the artist plays with white to the effect that the quiet nonchalant nude may seem to sit like a latter-day Venus on rolling waves of ocean foam. He was also a sculptor with busts of himself done in close verisimilitude and more intimate, genial-looking than one recalls. And it is in some of his late works wheer one senses Alcuaz painting most purely for himself. Like the nudes, his gray color scheme must have come from the influence of Velasquez and Goya, and in these he also shares kinship with Juan Luna. View Tres Marias Three Sisters by Federico Aguilar Alcuaz on artnet. The gray tones captured the European atmosphere of days turning into winter and the melancholy air that they evoked. In the Drawing Room (Tres Marias) (Lot 213) is part of Federico Aguilar Alcuaz's acclaimed Tres Marias (Three Maidens) series. These subdued uncluttered images nevertheless convey a dignity as well as a sumptuousness that never cloys or tires the eye.Alcuaz is also known for his Tres Marias genre of beautiful, long-gowned women with a 19th century air engaged in a variety of domestic activities.
For the artist, the still life itself is a celebration of painting with its inexhaustible motifs, techniques and devices interacting with one another: squiggles, starbursts, open and closed forms, sharp tonal contrasts, breathing spaces—all produced with great spontaneity, humor and playfulness. The nude is usually seated beside a curtained window from which light softly blurs the contours of the sofa and backlights her figure lending a glowing tone to her skin. He painted the curving coastlines and the boats plying the water in canvases which are now recollections of places he visited, such as Barcelona where he lived for 10 years. The dexterity of his brush corrects the imperfections of nature, without the slightest awareness that he was doing so.
This is why the painters’ vision presents us with a picture of grace, harmony and distinction without affecting the wholesome characters of the sitters. This is what rings true in his work, in which his refined and sophisticated way of seeing, feeling and transforming onto canvas guides his art purely and uninterruptedly, with the least interference of common considerations. The color schemes for his Tres Marias must have come from the influence of Velasquez and Goya, and in these he also shares kinship with Juan Luna.
He was, for one, a consummate portraitist, as shown by his highly refined pencil portrait of his German wife, and the couple of self-portraits done in his lively spontaneous style. Another nude may take a diagonal pose in a somewhat darkened room with suggestions of vegetation in the window but with only a colorful weave accessory to her long, flowing limbs. His gowned women were executed with a joyful fluidness. (28 x 34 in.) Federico Aguilar Alcuaz (June 6, 1932 – February 2, 2011). Often his still life is arrayed on a beach with sun-drenched yellow-ochres against a soft tourmaline sky, gently flecked with white. The exhibit pays homage to Alcuaz by opening on June 6, marking the 75th birthday of the maestro, and will run until June 20.While Alcuaz is widely known to be an abstract artist of the highest order, this show at Galerie Joaquin reveals little-known aspects of his art in works done in various media and genres. Alcuaz’ famous “Tres Marias” series were started in the late 1970s. He also took a great pleasure in the materials he used and knew how to bring out their best properties, discovering the secrets of color and tone. And not the least, he designed stunning abstract tapestries in the workshops of Brno, Czechoslovakia, in the 1980s.What is probably the secret of Alcuaz’s art is that he was a true hedonist in his approach to life, nature and the world at large. Sometimes the artist plays with white to the effect that the quiet nonchalant nude may seem to sit like a latter-day Venus on rolling waves of ocean foam. He was also a sculptor with busts of himself done in close verisimilitude and more intimate, genial-looking than one recalls. And it is in some of his late works wheer one senses Alcuaz painting most purely for himself. Like the nudes, his gray color scheme must have come from the influence of Velasquez and Goya, and in these he also shares kinship with Juan Luna. View Tres Marias Three Sisters by Federico Aguilar Alcuaz on artnet. The gray tones captured the European atmosphere of days turning into winter and the melancholy air that they evoked. In the Drawing Room (Tres Marias) (Lot 213) is part of Federico Aguilar Alcuaz's acclaimed Tres Marias (Three Maidens) series. These subdued uncluttered images nevertheless convey a dignity as well as a sumptuousness that never cloys or tires the eye.Alcuaz is also known for his Tres Marias genre of beautiful, long-gowned women with a 19th century air engaged in a variety of domestic activities.
For the artist, the still life itself is a celebration of painting with its inexhaustible motifs, techniques and devices interacting with one another: squiggles, starbursts, open and closed forms, sharp tonal contrasts, breathing spaces—all produced with great spontaneity, humor and playfulness. The nude is usually seated beside a curtained window from which light softly blurs the contours of the sofa and backlights her figure lending a glowing tone to her skin. He painted the curving coastlines and the boats plying the water in canvases which are now recollections of places he visited, such as Barcelona where he lived for 10 years. The dexterity of his brush corrects the imperfections of nature, without the slightest awareness that he was doing so.