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The record includes the full address, along with information about the source of the data that will show whether the address is likely to be current. © company director check, CompanyDirectorCheck.com
With the exception of a small guest appearance in an episode of the police drama series ‘The Bill’ in 1998, he took a voluntary absence of leave, re-emerging on the small screen in director Rebecca Frayn’s uncompromising social drama ‘Whose Baby?’ in 2004.After almost eight years since his last stage role, Nicolas Kent, Artistic Director at the Tricycle Theatre, who remembered him from his work in ‘Joyriders’, offered him a cameo role in his 2005 exacting dramatization of the Bloody Sunday Inquiry, entitled ‘Bloody Sunday: Scenes from the Saville Inquiry’.
Another big- screen role came with his cameo as jocular boatman Fergus, in director Vic Sarin’s feelgood family drama ‘A Shine of Rainbows’ 2009, filmed on location in Donegal, with a cast headed by nominal Irishman Aidan Quinn.Stage roles in 2014 were of incidental value and included two productions at the Gate Theatre, Dublin, both in the faithful retainer category. In 2019 writer/director /actor Billie Pyper offered him the role of Dougie in her incurious romantic drama ‘Rare Beasts’, weighted with a sizeable cast it premiered to mixed reviews at the Venice Film Festival in August of that year. Two also-starring film credits in 2020 included his Doctor Richards in director Brenda Chapman’s fantasy adventure ‘Come Away’, with Angelina Jolie and Michael Caine heading the cast of Marissa Kate Goodhill’s imagined prequel to Alice in Wonderland and Peter Pan.Damian O’Hare’s laudable stage efforts to date may be in danger of being eclipsed by his screen endeavours and regrettably this in time may prove the natural order of things.Efficient character player, a Manchester Metropolitan University graduate in 1986, reading Acting, Theatre and Television, whose interest developed with the local Newry Youth Drama Group in the early 1980s. In 1958, he was involved in two contentious plays that would precipitate the demise of the Group Players, both of which would find other more welcoming Belfast stages. She bade adieu to the stage at Henry Miller’s Theatre, New York, playing the maid Janet McKenzie in director Robert Lewis’ Tony Award winning adaptation of Agatha Christie’s ‘Witness for the Prosecution’, which ran for eighteen months from December 1954 to June 1956.There was no other choice for director Billy Wilder but to ask her, in what would be her final performance, to reprise her role in the big screen version in 1957, which earned a number of Oscar nominations, for Wilder and husband and wife, Charles Laughton and Elsa Lanchester.Una O’Connor’s journey travelled many roads and a critical study would reveal that despite a convenient suppression of genuine talent, habitually reduced to the mundane, she, through personality and determination, squeezed every last ounce from her characters, notwithstanding the limited time afforded her on both stage and screen.-The Well of the Saints(1911) Maxine Elliott Theatre, New York-An Tincear Agus An Tsidheog(1912) Abbey Theatre, Dublin-The Passing of the Third Floor Back(1928) Everyman Theatre, London-The Starcross Story(1954) Royale Theatre, New YorkLargely unsung but capable actor, equally at home on both stage and screen, who was still of primary school age when he appeared as Young Scrooge in the pantomime ‘A Christmas Carol’, at the Lyric Theatre Belfast in 1988.Following studies at LAMDA, circa 1998, he was cast by director John Crowley in the minor role of Irregular Mobiliser, in an acclaimed production of ‘Juno and the Paycock’ at the Donmar Warehouse London in 1999, which featured a cast of notable Irish actors including Colm Meaney and Dearbhla Molloy.Between 2001/04 he managed a work schedule which embraced both classic and pulp in equal measure. Between 2002/04 his stage work cut a swathe across a variety of classics, with appearances in a series of theatre standards through the ages.
The series ran for one season in 2009 and featured an excellent Martin Jarvis as the vainglorious Chief Foreign Correspondent, David Bradburn.At the Chichester Festival Theatre in 2009 he gave a powerful performance as the hero Tom Joad in an outstanding production of John Steinbeck’s great American classic, ‘The Grapes of Wrath’, directed by an inspired Jonathan Church. He was impressive in a heavyweight cast, playing self-immolation disposed Jim Hanna, in Gerard McLarnon’s eve of ‘Twelfth’ tragedy, ‘The Bonfire’, which after much wrangling and disaffection, was finally staged at the Grand Opera House, in August of that year, directed by the esteemed Tyrone Guthrie.A few months later, with James Ellis now installed as Artistic Director, following the resignation of Harold Goldblatt, another storm was gathering around Sam Thompson’s ‘Over the Bridge’, an emotive exposition of sectarianism in the Belfast shipyard.
The record includes the full address, along with information about the source of the data that will show whether the address is likely to be current. © company director check, CompanyDirectorCheck.com
With the exception of a small guest appearance in an episode of the police drama series ‘The Bill’ in 1998, he took a voluntary absence of leave, re-emerging on the small screen in director Rebecca Frayn’s uncompromising social drama ‘Whose Baby?’ in 2004.After almost eight years since his last stage role, Nicolas Kent, Artistic Director at the Tricycle Theatre, who remembered him from his work in ‘Joyriders’, offered him a cameo role in his 2005 exacting dramatization of the Bloody Sunday Inquiry, entitled ‘Bloody Sunday: Scenes from the Saville Inquiry’.
Another big- screen role came with his cameo as jocular boatman Fergus, in director Vic Sarin’s feelgood family drama ‘A Shine of Rainbows’ 2009, filmed on location in Donegal, with a cast headed by nominal Irishman Aidan Quinn.Stage roles in 2014 were of incidental value and included two productions at the Gate Theatre, Dublin, both in the faithful retainer category. In 2019 writer/director /actor Billie Pyper offered him the role of Dougie in her incurious romantic drama ‘Rare Beasts’, weighted with a sizeable cast it premiered to mixed reviews at the Venice Film Festival in August of that year. Two also-starring film credits in 2020 included his Doctor Richards in director Brenda Chapman’s fantasy adventure ‘Come Away’, with Angelina Jolie and Michael Caine heading the cast of Marissa Kate Goodhill’s imagined prequel to Alice in Wonderland and Peter Pan.Damian O’Hare’s laudable stage efforts to date may be in danger of being eclipsed by his screen endeavours and regrettably this in time may prove the natural order of things.Efficient character player, a Manchester Metropolitan University graduate in 1986, reading Acting, Theatre and Television, whose interest developed with the local Newry Youth Drama Group in the early 1980s. In 1958, he was involved in two contentious plays that would precipitate the demise of the Group Players, both of which would find other more welcoming Belfast stages. She bade adieu to the stage at Henry Miller’s Theatre, New York, playing the maid Janet McKenzie in director Robert Lewis’ Tony Award winning adaptation of Agatha Christie’s ‘Witness for the Prosecution’, which ran for eighteen months from December 1954 to June 1956.There was no other choice for director Billy Wilder but to ask her, in what would be her final performance, to reprise her role in the big screen version in 1957, which earned a number of Oscar nominations, for Wilder and husband and wife, Charles Laughton and Elsa Lanchester.Una O’Connor’s journey travelled many roads and a critical study would reveal that despite a convenient suppression of genuine talent, habitually reduced to the mundane, she, through personality and determination, squeezed every last ounce from her characters, notwithstanding the limited time afforded her on both stage and screen.-The Well of the Saints(1911) Maxine Elliott Theatre, New York-An Tincear Agus An Tsidheog(1912) Abbey Theatre, Dublin-The Passing of the Third Floor Back(1928) Everyman Theatre, London-The Starcross Story(1954) Royale Theatre, New YorkLargely unsung but capable actor, equally at home on both stage and screen, who was still of primary school age when he appeared as Young Scrooge in the pantomime ‘A Christmas Carol’, at the Lyric Theatre Belfast in 1988.Following studies at LAMDA, circa 1998, he was cast by director John Crowley in the minor role of Irregular Mobiliser, in an acclaimed production of ‘Juno and the Paycock’ at the Donmar Warehouse London in 1999, which featured a cast of notable Irish actors including Colm Meaney and Dearbhla Molloy.Between 2001/04 he managed a work schedule which embraced both classic and pulp in equal measure. Between 2002/04 his stage work cut a swathe across a variety of classics, with appearances in a series of theatre standards through the ages.
The series ran for one season in 2009 and featured an excellent Martin Jarvis as the vainglorious Chief Foreign Correspondent, David Bradburn.At the Chichester Festival Theatre in 2009 he gave a powerful performance as the hero Tom Joad in an outstanding production of John Steinbeck’s great American classic, ‘The Grapes of Wrath’, directed by an inspired Jonathan Church. He was impressive in a heavyweight cast, playing self-immolation disposed Jim Hanna, in Gerard McLarnon’s eve of ‘Twelfth’ tragedy, ‘The Bonfire’, which after much wrangling and disaffection, was finally staged at the Grand Opera House, in August of that year, directed by the esteemed Tyrone Guthrie.A few months later, with James Ellis now installed as Artistic Director, following the resignation of Harold Goldblatt, another storm was gathering around Sam Thompson’s ‘Over the Bridge’, an emotive exposition of sectarianism in the Belfast shipyard.