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…many tribes used Plains Indian sign language (PISL) as a means of communication.
(J.R., from Adapted by Pierre Joris from Y. Georges Kerhuel's French versionTranslation from French by Clayton Eshleman & A. James Arnold with a Note on the Original by the TranslatorsTranslated from Spanish by Gustavo V. Segade & Elise MillerIn celebration of the publication by SplitLevel TextsA first translation from French by Clayton EshlemanTranscreations from Russian by Jerome Rothenberg & Milos SovakTranscreations from Russian by Jerome Rothenberg & Milos SovakTranslated from Spanish by Jen Hofer, Christian Nager, and Brian WhitenerTranslated from Yiddish by Faith Jones, Jennifer Kronovet, and Samuel SolomonThe opening selection from a work in progress, 'Barbaric Vast & Wild: An Assemblage of Outside & Subterranean Poetry,' edited with John Bloomberg-RissmanTranslation from Arabic by Abdelfetah Chenni & Pierre JorisWith special reference to Zukofsky's 'Poem Beginning 'The'' and Likht’s 'Protsesiye dray' ['Procession Three']Originally posted June 8, 2009 on the blogger version of Poems and PoeticsTranslation from French by A. James Arnold and Clayton EshlemanTranslation from Spanish & commentary by Cole HeinowitzTrans-compositions from Greek & commentary by George EconomouTranslation by Jerome Rothenberg with commentary by Heriberto YépezTranslation from Bhutanese by Keith Dowman and Sonam PaljorTranslation from Polish by Jerome Rothenberg & Arie GallesCharles Bernstein's 'Our Americas: New Worlds Still in Progress' RevisitedTranslated with commentaries by Pierre Joris & Nicole PeyrafitteEleven ‘games for eleanor’ (previously unpublished) with a republished note on David AntinOswald de Andrade, 'An Anthropophagite Manifesto,' May 1928Francisca Juana, 'Of the Remedy Which They Use for What They Call 'Reconciliation'' (1617, Aztec)Raul Bopp, from 'Cobra Norato: Nheengatu on the Left Bank of the Amazon,' with notes by the translatorHaroldo de Campos, three poems and an essay on poetryEmily Dickinson, 'A Letter to the Master,' lineated'Sale of Souls,' A poem with an accompanying commentary'A Poem Beginning with Two Lines by Likht' (in English and Yiddish)Writing and translating indigenous poetry in twenty-first century MexicoIn 'Beneath the Sleepless Tossing of the Planets: Selected Poems'From Roger Williams, 'A Key into the Language of America'Seven Poems from 'Härte' with a brief accounting by Maria G. Baker'A Voice in the Wilderness: Seance vs.
By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica.Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. This was a system of fixed hand and finger positions symbolizing ideas, the meanings of which were known to the majority of the tribes of the area.……individuals by developing the natural sign language they used into a systematic and conventional language for more universal use.
ASL sign for MEDIUM. medium.
Features
PLAY / REPEAT SPEED 1x ... Sign language on this site is the authenticity of culturally Deaf people and codas who speak ASL and other signed languages as their first language.
Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox.Articles from Britannica Encyclopedias for elementary and high school students.
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Ameslan (American Sign Language) represents, literally, a poetry without sound and, for its practitioners, a poetry without access to that experience of sound as voice that we've so often taken as the bedrock of all poetics and all language. // The reader may also want to relate this piece to recent discourse about "written-oral dichotomies, etc., but the revelation of Ameslan, in that sense, isn't a denial of the powers of oral poetry but the creation of its possible and equally impermanent companion in performance.
Sign language scuplture “Life is beautiful, be happy and love each other!” by Zuzana Čížková at Kobrova Bus Stop in Holečkova Street in Prague.
(3) POETRY WITHOUT SOUND.
Categories
…many tribes used Plains Indian sign language (PISL) as a means of communication.
(J.R., from Adapted by Pierre Joris from Y. Georges Kerhuel's French versionTranslation from French by Clayton Eshleman & A. James Arnold with a Note on the Original by the TranslatorsTranslated from Spanish by Gustavo V. Segade & Elise MillerIn celebration of the publication by SplitLevel TextsA first translation from French by Clayton EshlemanTranscreations from Russian by Jerome Rothenberg & Milos SovakTranscreations from Russian by Jerome Rothenberg & Milos SovakTranslated from Spanish by Jen Hofer, Christian Nager, and Brian WhitenerTranslated from Yiddish by Faith Jones, Jennifer Kronovet, and Samuel SolomonThe opening selection from a work in progress, 'Barbaric Vast & Wild: An Assemblage of Outside & Subterranean Poetry,' edited with John Bloomberg-RissmanTranslation from Arabic by Abdelfetah Chenni & Pierre JorisWith special reference to Zukofsky's 'Poem Beginning 'The'' and Likht’s 'Protsesiye dray' ['Procession Three']Originally posted June 8, 2009 on the blogger version of Poems and PoeticsTranslation from French by A. James Arnold and Clayton EshlemanTranslation from Spanish & commentary by Cole HeinowitzTrans-compositions from Greek & commentary by George EconomouTranslation by Jerome Rothenberg with commentary by Heriberto YépezTranslation from Bhutanese by Keith Dowman and Sonam PaljorTranslation from Polish by Jerome Rothenberg & Arie GallesCharles Bernstein's 'Our Americas: New Worlds Still in Progress' RevisitedTranslated with commentaries by Pierre Joris & Nicole PeyrafitteEleven ‘games for eleanor’ (previously unpublished) with a republished note on David AntinOswald de Andrade, 'An Anthropophagite Manifesto,' May 1928Francisca Juana, 'Of the Remedy Which They Use for What They Call 'Reconciliation'' (1617, Aztec)Raul Bopp, from 'Cobra Norato: Nheengatu on the Left Bank of the Amazon,' with notes by the translatorHaroldo de Campos, three poems and an essay on poetryEmily Dickinson, 'A Letter to the Master,' lineated'Sale of Souls,' A poem with an accompanying commentary'A Poem Beginning with Two Lines by Likht' (in English and Yiddish)Writing and translating indigenous poetry in twenty-first century MexicoIn 'Beneath the Sleepless Tossing of the Planets: Selected Poems'From Roger Williams, 'A Key into the Language of America'Seven Poems from 'Härte' with a brief accounting by Maria G. Baker'A Voice in the Wilderness: Seance vs.
By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica.Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. This was a system of fixed hand and finger positions symbolizing ideas, the meanings of which were known to the majority of the tribes of the area.……individuals by developing the natural sign language they used into a systematic and conventional language for more universal use.
ASL sign for MEDIUM. medium.
Features
PLAY / REPEAT SPEED 1x ... Sign language on this site is the authenticity of culturally Deaf people and codas who speak ASL and other signed languages as their first language.
Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox.Articles from Britannica Encyclopedias for elementary and high school students.
We would like to show you a description here but the site won’t allow us.
In Germany Samuel Heinicke experimented with… Check out Britannica's new site for parents!
Login
Ameslan (American Sign Language) represents, literally, a poetry without sound and, for its practitioners, a poetry without access to that experience of sound as voice that we've so often taken as the bedrock of all poetics and all language. // The reader may also want to relate this piece to recent discourse about "written-oral dichotomies, etc., but the revelation of Ameslan, in that sense, isn't a denial of the powers of oral poetry but the creation of its possible and equally impermanent companion in performance.
Sign language scuplture “Life is beautiful, be happy and love each other!” by Zuzana Čížková at Kobrova Bus Stop in Holečkova Street in Prague.
(3) POETRY WITHOUT SOUND.
Categories